belle and sebastian best songs

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One of Murdoch's most fabulously-realized musical-short-stories, the narration is handed from Jackson, to Queen, to Murdoch, each telling the tale of its titular heroine, running through Glasgow streets, riding buses, and dreaming of boys. Which is Belle and Sebastian all over, really. Belle & Sebastian’s 20 best songs Get Me Away From Here, I’m Dying (1996). Amongst the copious hits on the second B&S LP ("Me and the Major," "Get Me Away from Here, I'm Dying," "The Stars of Track and Field," "If You're Feeling Sinister," etc, etc, etc), "Judy and the Dream of Horses" has long stood slightly above all others; more wondrous and winsome. Much of their work had been released on Jeepster Records, but they are now signed to Matador Records worldwide. If playback doesn't begin shortly, try restarting your device. Recorded at dates across the band's 2019 tour (including several shows on a cruise ship), this massive 23-track document is a thoughtfully … Like so many of Murdoch's classic early songs, "She's Losing It" is proper-noun-friendly and constantly funny; the casually-tossed-off line in the chorus where he sings "when the first cup of coffee tastes like washing-up" one of his band's most famous moments. Back in 1996, when the cult of Belle and Sebastian was slowly spreading through the indie underground, the band's... 02. Dress Up in You. Its cresting finale, all Hammond organ whirls and raking electric guitar runs is the sound of the founding Belle and Sebastian line-up at the peak of their powers. Belle & Sebastian: ‘I want to be in Abba but we’re probably more like the Grateful Dead’, Belle and Sebastian lead singer Stuart Murdoch and guitarist Stevie Jackson on their special relationship. If You're Feeling Sinister. The lead vocal on this one is carried by multi-instrumentalist Sarah Martin, latterly in boy-girl call-and-response exchanges with Murdoch to illustrate the song’s hope-filled exchange of affections between cash-strapped lovers. There’s no chorus, just six perfectly formed verses and barely a breath of a pause between them. The version of Electronic Renaissance featured on Tigermilk comes from a radio broadcast: when the original CaVa recording was played on BBC Radio Scotland’s Beat Patrol programme. Led by guitarist/vocalist Stuart Murdoch, Belle & Sebastian has an intimate, majestic sound that is equal parts folk-rock and '60s pop. That was never more obvious than with "Legal Man," a groovy, psychedelic, lava-lamp-lit rock'n'roller penned by Jackson. Listen to music by Belle and Sebastian on Apple Music. Over a Velvet Underground-do-Dylan bed of gently thrummed acoustic guitar and purring organ, our somewhat erratic protagonist watches his brother stand up with his sailor friend on his sister’s wedding day to announce that he’s gay, before marrying a pal to stop her getting deported, kicking the crutches from a crippled friend, getting his child bride drunk on whisky and gin, then giving himself to an understandably hesitant God (“There was a pregnant pause before he said … ‘OK’”). Belle and Sebastian. From 70 people The Party Line Belle and Sebastian. Namechecking the biblical duo of Jonathan and David – evidently Murdoch’s religious imagery was contagious – it’s a sparky piano- and organ-propelled three-minute wonder with lots of unexpected melodic twists and turns. The longest song they’ve ever recorded, it’s a Velvetsy dirge that starts at a pensive amble, its first half full of fairly standard Belle and Sebastian tropes (Murdoch doesn’t just get knocked back by a girl in this one so much as knocked out – “she put me on the ground with judo”), before picking up pace in the middle with a beautiful, swaying trumpet and cello-led instrumental passage. The opening track from their eighth album 2010’s Write About Love (they’re still great at opening tracks – see also Nobody’s Empire from Girls in Peacetime Want To Dance), I Didn’t See It Coming shuffles on a distinctive Richard Colburn drum beat, breezy piano chords and a twanging, star bright guitar riff. Led by guitarist/vocalist Stuart Murdoch, the seven-piece band has an intimate, majestic sound that is equal parts folk-rock and '60s pop.Murdoch has a gift not only for whimsy and surrealism, but also for odd, unsettling lyrical detail which keeps the songs grounded in a tangible reality. Anthony Carew is a music journalist and host of "The International Pop Underground" radio show. Belle and Sebastian Thereafter it’s all stark lyrical imagery, touching on loneliness, boredom, lethargy, suicide, and the fallibility of “the vicar or whatever” when it comes to saving mixed-up souls (and all this from a churchgoing Christian). Stuart David’s memoir In The All-Night Café, Watch the video for Lazy Line Painter Jane, much to the consternation of Pete Waterman, The Boy With the Arab Strap played live at Coachella, Watch the video for Jonathan David by Belle and Sebastian, Piazza, New York Catcher played at Barrowlands, Glasgow. Dear Catastrophe Waitress (2003) 5. Anchored by … Official website for Scottish band Belle and Sebastian. Wall of fame … Belle and Sebastian in 2010. Find top songs and albums by Belle and Sebastian including The Boy With the Arab Strap, Piazza, New York Catcher and more. It was a paradigm-shifting return to form for the band after the relatively muted response to 2000’s much underrated Fold Your Hands Child, You Walk Like a Peasant and their ill-starred 2002 soundtrack to Todd Solondz’s movie Storytelling. As with so many of B&S's best songs, Murdoch manages to sketch a fully-rounded character all in the space of a single pop-song. when he actually does mess something up, he gets even more down. It also inspired one of Belle and Sebastian’s funniest videos – a French new wave cinema-inspired romp in which Murdoch and Jackson more or less act out the song’s love triangle lyric, which concludes with none more fantastically drippy a note of jilted resignation than: “You and her in the local newspaper / you will be married and you will be gone.”. This Boy is full of "lewd and lascivious boasts," wields "a filthy laugh," and —in true top 10 List spirit— keeps a constantly-revised litany of his "ten biggest wanks." so he falls into a spiral. Murdoch recorded it on a beatbox, and was so taken by the tinny compression, tape-hiss and ghostly second-hand quality that he insisted this should be the final definitive article, and so it was. Next week, Belle and Sebastian will release their 9th album, Girls in Peacetime Want to Dance. The Boy With The Arab Strap (1998) 7. If You’re Feeling Sinister, from 1996, is Belle and Sebastian’s masterpiece. The gossamer bop of its title song – a deceptively dark rumination on faith and death– opens with field recordings of playground ambience made at a nearby primary school, before swelling electric guitar chords and a brisk drum beat enter, followed by a deftly sprinkled piano melody (a lift from a ubiquitous Renault car advert of the age). Coming towards the end of a prolific three-year period – three albums and four EPs – worthy of the 60s beat groups the Belles so plainly admired, The Boy With the Arab Strap was, perhaps unsurprisingly, the point at which Murdoch’s hitherto perfectly formed kitchen-sink vignettes started to feel a little frayed around the edges, and as such became the first album on which other members of the band (guitarist Jackson and cellist/vocalist Isobel Campbell) began contributing to the writing. “She was into S&M and bible studies / not everyone’s cup of tea”, runs one memorable line – perhaps the most memorable in the whole of the Belle and Sebastian canon. As the years progressed, B&S became less autocratic, more collective, and guitarist Stevie Jackson showed, too, a dab-hand at the smart pop-song. About Belle and Sebastian. Contrary to what the casual disparaging observer may assume Belle & Sebastian are all about, it’s the band’s only studio recording to feature a solo Murdoch singing over a solitary acoustic guitar. Come around to me, I’ll be your locking vault. Like many of the group’s best songs, it’s set in a high school athletic field, with clever wordplay that juxtaposes sexuality with running track. Belle and Sebastian somehow simultaneously achieve both the insular fragility of twee indie pop and the star power required to sustain a ravenous fan base for multiple decades, presenting both in double live album What to Look for in Summer. The other obviously notable aspect of Lazy Lane Painter Jane is Monica Queen’s guest vocal – a lusty country-tinged lung-buster from a pal of the band on the Glasgow scene, who proves an unlikely foil for Murdoch’s seven-stone weakling tones. https://www.theguardian.com/.../feb/03/belle-and-sebastian-10-of-the-best An error... Piazza, New York Catcher (2003). Probably not even the band, who have become given to gazing back on their 1990s purple patch with almost as much gratitude and amazement as fans do, would deny that their more recent output isn’t a patch on those timeless early records. After the schadenfreude of its first verse ("you're filling your fat face with every different kind of cake/if you ever go lardy, or go lame/I will drop you straight away"), Murdoch's song manages to be both a sad lament at the inevitable futility of fighting the good fight, and an unexpected rallying cry to keep doing the same. Belle & Sebastian lyrics - 161 song lyrics sorted by album, including "Expectations", "God Help The Girl", "For The Price Of A Cup Of Tea". Belle and Sebastian's music is sensitive and incredibly well balanced. Belle and Sebastian. It's a study in sin and humiliation, with Murdoch's sign-off ("if they come tonight/you'll roll up tight/and take whatever's coming to you next") a note of casual masochism that lingers long after the song's early fade-out. + Follow Artist. Top 10 Belle and Sebastian Songs 01. Led by Stuart Murdoch, the band has released ten albums. Sleep the Clock Around seems to allude to Murdoch’s struggles with writer’s block in places (“put down your pen / leave your worries behind”), while its title may be a reference to the chronic fatigue syndrome that caused Murdoch to sleep through large parts of his late teens and early 20s (hence the recurring youth-fantasies of his lyrics). Fall in love. When "Funny Little Frog"'s vowel-stretching chorus commences "you're my picture on the wall," you imagine Murdoch's speaking figuratively, making a metaphor from a snapshot stuck on the fridge. The Life Pursuit, 2006 The Life Pursuit is known more for its uptempo delights than its indulgences of classic Belle & Sebastian melancholy, but “Dress Up in You” offers proof that mid-aughts B&S could still bring the wistful blues like no one else. It’s not without a few wry tangential observations, of course – including a reference to rumours surrounding the titular away team catcher Mike Piazza’s sexuality (“is he straight or is he gay?”) – nor a little Left Banke homage (“You’d settle for an epitaph like ‘Walk Away, Renee’”). From 98 people I Want the World to Stop Belle and Sebastian. Its titular Judy is a familiar Murdoch character: both promiscuous "teenage rebel" and little-girl wastrel, carousing with boys and then sneaking under the covers to read a book about horses via flashlight. and sporting folklore (Sandy Koufax declining to pitch a World Series game on Yom Kippur), Murdoch's acoustic ode is actually a love song for future-wife Melissa Privitera (here "Miss Private"), in which the tyranny of distance is lamented, and every second of time spent in the same city is treasured. When 80s gated-reverb guru Trevor Horn took a break from working with the likes of Seal to produce Belle and Sebastian's sixth album, 2003's Dear Catastrophe Waitress, even he knew better than to mess with the original rehearsal-room demo of "Piazza, New York Catcher," leaving it as-is on the otherwise-polished LP. Inexpertly recorded on Cubase music software alongside an early working version of Sleep the Clock Around, and completed after Murdoch cajoled a nerdy guy on his music course called Keith into loaning him a 1970s Korg synthesiser for all the brilliant bubbling, gurgling sounds that give the song such atmosphere, it’s a diversion into the world of machine music not revisited until 2014’s The Party Line (the lyrics feel like a rejection of dance culture: “Monochrome in the 1990s / You go disco and I’ll go my way”). Electronic Renaissance tends to pretty much split fans down the middle – dropped into the centre of the album like a radio broadcast from an alternative reality, for some it’s bizarre folly, for others it’s a carefree masterstroke. The bagpipes have a chequered – by which I mean generally dismal – history in pop. This lead to a string of keenly melodic, terrifically sad tunes with the depth and richness of well-crafted short-stories. Storytelling (2002) Belle And Sebastian EP's ranked: 1. Its lyric is a cryptic lament for a free and easy but evidently muddled-up girl who’ll go with anyone, boy or girl alike, and picks up a dose of thrush from, ahem, “licking railings”, and Lazy Line Painter Jane has an out-of-control chemistry like two teens’ furtive fumble under the desk at the back of biology class. 142 seconds of pop perfection, "She's Losing It" is closing in on two decades of all-time-classic status for twee devotees. Stevie Jackson takes over lead vocal in his best Lee Hazelwood cowboy croon to sing the spine-tinglingly climactic line: “This is just a modern rock song, this is just a sorry lament / We’re four boys in corduroys, we’re not terrific but we’re competent.” Archly self-effacing they may have been, but Belle and Sebastian knew where they were positioning themselves in the Scottish indie pantheon – the Smithsesque cover art for the This Is Just a Modern Rock Song EP featured Alan Horne on the cover, mercurial impresario of Glasgow’s hugely influential 1980s proto indiepop label Postcard Records. With hot Hammond, a chorus of female backing-vocalists, a snarling sitar line, and a neverending boogie of bongos, "Legal Man" was anything but effete, and ended up becoming a dance floor staple at indie nights everywhere. Murdoch gifted one of the test pressings of Tigermilk to his church minister, which seems appropriate, given that faith is an integral aspect of his songwriting – albeit in a way that’s far more whimsical and quizzical than preachy (not to mention often juxtaposed with profound impiety). Year-End Hot 100 Songs; Year-End Billboard 200 Albums; 2020 Year-End Boxscore; Google's Top Hummed Songs 2020; All Year-End Charts; DECADE-END . Skint, knackered and forever stuck on or missing his bus, our narrator’s fed up but suffers in silence like the Asian minicab driver in Old Compton who has a “love hate affair with his racist clientele”, even as he’s surrounded by sleazebags from the London cool set including one who guy who’s forever updating a hit parade of his “10 biggest wanks” (a lyric almost chopped off as the song fades out, for reasons unknown). After seven years and four studio albums in their Glasgow bubble, Dear Catastrophe Waitress saw Belle and Sebastian evacuate their comfort zone to make a high-sheen, brass-dappled album in London produced by Trevor Horn. By the pristine Tigermilk version Murdoch’s lyrics find their textured match in Stevie Jackson’s shimmering guitar line and Chris Geddes’s swirling keys, and Belle and Sebastian’s slanted charm comes alive. To finish, we’ll loop back to Tigermilk and an experiment in DIY electropop that imagines an entirely different trajectory for Belle and Sebastian, inspired not by the acidic jangle of the Smiths, Felt and the Pastels, but by the primitive synth-prodding of The Wake and early New Order (spot the similarities with the latter’s Procession). This six-minute single has long been a favorite of B&S fans, so much so that the band often spontaneously invites girls from the crowd to belt out Monica Queen's righteous, powerhouse vocal on stage. As Belle and Sebastian progressed, the band become less a vehicle for Murdoch's prodigious talents, more a collective endeavor. The Life Pursuit (2006) 4. The second half shifts narrative perspective to become an at once self-mythologising and self mocking meta-commentary on being in a modestly successful bookish indie band (making it a partner piece in a way to the much peppier Get Me Away from Here, I’m Dying from If You’re Feeling Sinister). Yet, "She's Losing It" escaped that obscurity, dubbed from cassette to cassette as it made never-ending appearances on crush-fueled mix-tapes. Belle and Sebastian … Popular Belle and Sebastian songs. It would be churlish not to feature Belle and Sebastian’s most recognisable song on this list, a number without which no indie disco is complete. belle is cool and popular and sebastian's just a freak. Suffering from chronic fatigue, B&S scribe Stuart Murdoch spent the early-90s peering at passersby out the window, imagining their adventures. he's nervous, shy and not really social. From 86 people Another Sunny Day Belle and Sebastian. It's a question that's long challenged any self-aware, self-conscious hipster who's ever picked up a camera, put pen to paper, or pushed play-and-record: how to achieve authenticity in an ersatz era? The title-track from Belle and Sebastian's third LP is one of the band's more boisterous numbers: all rich piano-chords, cascading organs, smatters of handclaps, bashed tambourines, and twittering flutes. Murdoch saves himself the cut's most quotable moments, delivering this verse with a semi-ironic sweetness: "You are in two minds, tossing a coin to decide/whether you should tell your folks about a dose of thrush/you got when licking railings." Belle and Sebastian Biography by Stephen Thomas Erlewine. His work appears in Rolling Stone Magazine. Pop music is full of great, apocryphal origin stories, and Belle & Sebastian's is one of the best. Sure, there's plenty of comedy (from the girl who's "on the rag" and "spent a summer day inside her sleeping bag", to its titular character's trousers, whose tag reads "7-8 years old"), but there's also a sense of genuine romanticism. Fold Your Hands Child, You Walk Like A Peasant (2000) 6. Belle and Sebastian tabs, chords, guitar, bass, ukulele chords, power tabs and guitar pro tabs including expectations, dress up in you, dog on wheels, a summer wasting, blues are still blue Originally written for the Irvine Welsh adaptation The Acid House, Murdoch's tender ode takes its inspiration partly from the source-text ("I stay in to defrost the fridge" summoning its kitchen-sink socio-realism; "Listen Johnny/you're like a mother to the girl you've fallen for" summarizing its story and theme), partly from Oscar Wilde's "The Picture of Dorian Gray." Oh, here we are just trying not to get too close. Belle & Sebastian Song list. The Scottish group who met on a college music course have doggedly trodden a fine line between fey, lo-fi indiepop and sly subversion, but always rocked with charm, Last modified on Thu 22 Feb 2018 11.22 GMT. Back in 1996, when the cult of Belle and Sebastian was slowly spreading through the indie underground, the band's debut LP, Tigermilk was more mythical than actual; long out of print and eternally unseen. Jonathan David probably wouldn’t rank highly on the average Belle and Sebastian fan’s top 10, but it’s a favourite of mine that’s got most of the hallmarks of a Jackson classic – lush harmonies, insanely catchy chorus, heavy 1960s baroque-pop overtones à la the Left Banke and the Zombies. Piazza, New York Catcher. If ever there was a formula for a floor-filling breakout single then the discomfitingly joyous The Boy With the Arab Strap plainly isn’t it. (It’s only human not to want to be alone) Here we are just trying to be…. For a song that skips along on a rolling Fender Rhodes-riff and features a playground melody at one stage performed on an instrument none more pre-pubescent than a recorder, not to mention a number that has brought untold joy to countless many, The Boy With the Arab Strap isn’t exactly a barrel of laughs. Sign In As well as obliviously name checking a cock ring, the title more deliberately references another cult Scottish group of the era and indulges in some sporting mocking of their singer, the titular boy (“we all know you’re soft ’cause we’ve all seen you dancing / We all know you’re hard ’cause we’ve all seen you drinking from noon until noon again”). No song better closes out a collection of the best Belle and Sebastian songs than the one that opens their best album. Belle and Sebastian If You're Feeling Sinister (1996) The Fox in the Snow: The Fox in the Snow: 26: 26. A home run of a song. Most of their songs actually sound like the band are playing in someone's living room, singing in their hushed manner, being careful not to disturb the neighborhood. It has become a rousing staple of the Belle and Sebastian live show typically reserved for the encore or the pre-encore slot. Murdoch liked the song so much he recorded it all over again, three years later, on his God Help the Girl record. Borrowing the Byrdsian jangle and Left Bankeian organ first heard backing Stuart David's wacky spoken-word on the "Lazy Line Painter Jane" flipside "A Century of Elvis," "A Century of Fakers" addresses such concerns. Belle and Sebastian: Belle and Sebastian Write About Love ... Belle & Sebastian: Fold Your Hands Child, You Walk Like a Peasant ... Belle & Sebastian: The Life Pursuit - PopMatters › Piazza, New York Catcher is entirely atypical of not just that record (it was also recorded separately, back up in Glasgow), but indeed the entire Belle and Sebastian catalogue. Stevie Jackson’s songs, steeped in pop classicism, have become an essential component of every Belle and Sebastian album from The Boy With the Arab Strap (Seymour Stein) through to 2015’s Girls In Peacetime Want To Dance (Perfect Couples). In spite of its glinting guitar, warm-hearted woodwinds, and tender Murdoch vocal, "Slow Graffiti" is easily one of Belle and Sebastian's saddest songs. The Top 25 Belle & Sebastian Songs List 25. Locked out of the charts by new regulations on running lengths, and for reasons unclear the only Belle and Sebastian release never to be put out in America, it was eventually elevated from obscurity by inclusion on the Push Barman to Open Old Wounds compilation in 2005. The discography of Belle and Sebastian, a Scottish indie pop band, features ten studio albums, three compilation albums, two live albums, two box sets, eight extended plays (EPs), twelve chart singles and one DVD. Belle and Sebastian’s Best Songs As picked by the jam community, 2011–2015 The Boy With the Arab Strap Belle and Sebastian. Practically the ballad of the band, This Is Just a Modern Rock Song was the title track of a near-forgotten EP released in 1998 off the back of the burgeoning success of The Boy With the Arap Strap. Here, then, is a list of the Glasgow band's greatest jams. The group rehearsed in a church hall in their early years, and even the recording studio where they made their first four albums, CaVa Sound, was a former church. It also includes a variety of demos and non-album singles, as well as two DJ mix compilations. So read on and discover the best songs of one of the world's best bands... 20. Darker still is the last chorus, which makes Sinister one of two songs on this list to resolve with a blunt reference to self-interference. Murdoch has a gift for not only whimsy and surrealism, but also for odd, unsettling lyrical detail which keeps the songs grounded in a tangible reality. A veritable five-minute gallop, this good-time jam lopes along to lyrical tales that appear to be very much about Arab Strap frontman Aidan Moffat; or, at least, about the character he projects, both on the tiles and on record. … Though its opening is pure undergrad irony —"I got my fingers dirty at the school of rock"— "String Bean Jean" is actually one of Murdoch's most sweetly sentimental tunes. After a cosmic synth-powered middle section, the spine-tingling clincher comes with the poptastic fade-out refrain: “Make me dance, I want to surrender.”. “I was surprised, I was happy for a day in 1975 / I was puzzled by a dream, stayed with me all day in 1995.” A delicate knockout of a first song and first lyric was a hallmark of Belle and Sebastian’s richly evocative first three albums, but nothing else unlocks the appeal of this Glasgow ensemble quite like the opening couplet to The State I Am In – track one of their 1996 debut Tigermilk, the softly creaking door into their sweet, strange, drolly funny and not a little sinister world, where it’s always a backwards-glancing daydream. With Sleep the Clock Around, Belle and Sebastian subtly reclaimed Scotland’s national instrument from AC/DC, Paul McCartney and Rod Stewart et al to genuinely stirring effect. It’s also a collector’s item in the respect of being about as straight up a ballad as you’ll hear Murdoch pen – a love-drunk ode to eloping on a whim to San Francisco with a girl (his future wife) to watch a baseball match (who had him down as a baseball fan?). From 86 people Get Me Away From Here, I'm Dyi… Belle and Sebastian. The early days for Scottish twee-pop heroes Belle and Sebastian delivered some of the greatest songs ever penned by a lonely prat holed up in a bedsit. Murdoch does his best Dylanesque fire folk in a fictional ode to the love life of... Lazy Line Painter Jane (1997). Belle & Sebastian I'm Waking Up to Us (2001) [EP] I'm Waking Up to Us: I'm Waking Up to Us: 24: 24. Belle and Sebastian. Tigermilk (1996) 3. Only, subsequent spins suggest (via lines like "I had a conversation with you at night/it's a little one-sided but that's alright") that this is indeed a song about an actual picture on the wall; a movie poster that provides a lonesome flat-dweller with an imagined companion. It sounds that personal. Hyndland Parish Church, in which Belle and Sebastian rehearsed back in the early days, makes its reverb-heavy presence felt clearly than on this cloistered retro R&B jam, probably the band’s best-loved non-album track. It also became the band's then-biggest hit, crashing the UK Top 20. The Life Pursuit wasn't Belle and Sebastian's finest hour, but the 2006 LP did sport this dashing, singalong ​pop song; a Murdoch-penned ode to romantic projection. Allie (2015) Ever Had a Little Faith? 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